Книга Dead Men's s Boots — читать онлайн бесплатно полностью

He’s got the face for it, too – all squared-off chin and over-luxuriant eyebrows – and he used it to scowl at me now. ‘I don’t owe you any favours, Castor, and I’m not telling you anything that wasn’t already reported in the papers, so don’t ask.’

‘Because a punch in the face often offends,’ I finished for him.

‘Exactly.’

‘Then why are we meeting here, instead of down at the cop shop?’

‘Here’ was the kitchen of his maisonette in East Sheen. It was the afternoon of the next day, and given the Victor Frankenstein vibe that Coldwood was currently putting out, I was grateful for the touches of normality provided by the sinkful of dirty dishes, the Dress-Up Homer Simpson fridge magnets and the FHM calendar on the wall.

Coldwood dropped the heart – a sheep’s, judging by the size of it – back into the dish instead of answering, and wiped his free hand on an apron that was already foul. Then he picked up a pencil and stared at the sad, half-dismantled piece of offal with a hard frown of concentration.

‘We’re meeting here because I can’t trust you to shut up when shutting up is the only sane option,’ he growled. He touched the business end of the pencil to a page of an open A4 pad and began to draw the heart, with great care but no particular skill. A couple of pink smears extended across the paper like a wake behind his wrist as it moved. ‘You’ll ask questions you shouldn’t ask, make stupid guesses to see if you can gauge anything from my reactions, and generally show me up in front of people whose opinions matter to me.

There seemed no point in denying it, so I didn’t bother. Might as well try the sympathy card, though, because you never knew. ‘Basquiat still got your balls?’

Coldwood laughed mirthlessly. ‘When the Paragon Hotel case broke, DS Basquiat was up in the Midlands talking to a roomful of local plod about the use of behavioural modelling in detective work. I think it’s fair to say that if anyone is holding anyone’s balls here . . .’ He tailed off, aware that the metaphor had unexpectedly run aground.

To show my good faith, I left the punchline unspoken. ‘I’m not asking for any trade secrets anyway,’ I told Coldwood, comfortable with the outrageous lie because the next sentence exposed it straight away. ‘All I need is an idea of how strong the case against Doug Hunter is.